Analysis of Figurative Language in The Tell Tale Heart and Other Stories by Edgar Allan Poe
DOI:
https://doi.org/10.32877/narasi.v1i3.1973
Keywords:
Figurative Language, Edgar Allan Poe, Psychological Horror, Qualitative Analysis
Abstract
This study presents a detailed analysis of figurative language in Edgar Allan Poe's short stories, specifically The Tell-Tale Heart, The Black Cat, and The Fall of the House of Usher. Using a qualitative, descriptive methodology, the research investigates various forms of figurative language, such as metaphor, simile, personification, and hyperbole, to examine their role in developing the themes of psychological horror and the macabre. The findings reveal that Poe employs figurative language strategically to enhance the unsettling atmosphere of his narratives. Alliteration is used extensively to create rhythmic and phonetic cohesion, heightening the eerie and suspenseful mood characteristic of his works. In contrast, allusion is used sparingly, suggesting Poe’s selective approach to external references. Metaphors and personification are pivotal in illustrating psychological states such as guilt, paranoia, and existential dread, contributing significantly to the depth and resonance of his themes. These stylistic choices demonstrate how Poe's innovative use of language immerses readers in the complexities of the human psyche, offering a profound exploration of mortality and moral conflict. By intertwining linguistic artistry with psychological depth, Poe’s narratives invite readers to confront the darker facets of existence. This study underscores Poe’s enduring influence on literary expression, showcasing how his mastery of figurative language has shaped the genre of psychological horror and cemented his legacy as a pioneer in exploring the macabre through nuanced and evocative storytelling.